LONDON
Planning Ahead vs. Just Showing Up
A Visit to London Shows What Friends Are For
by Andy Vladimir
Any wheelchair user who travels knows that you have to plan carefully all the
details of a trip in advance. If you don't, you're likely to encounter
obstacles you just can't get over or around.
Up to now I've followed this advice scrupulously. But in February I was at a
service at the Coral Gables (Fla.) Congregational Church, where we're members,
when our associate pastor, Chuck Eastman, announced that he was going to lead a
trip to London to visit the William Blake exhibit there and to see a few shows.
It turned out that the arrangements were being made by Frank Weiss, a member of
our congregation who also owns the Journey Shoppe, a Miami travel agency. Frank
and his wife, Jeanie, were also planning to come along.
I love London, and it's been a while since I've visited there. Though the trip
was being planned for able-bodied people, I figured that since the participants
were all friends of mine — and good Christians — they'd take care of me if I
wanted to go. (I have myotonic dystrophy and use a scooter.) |
Chuck and Frank said they'd love to have my wife, Ute, and me. This confirms the
theory of my friend John Hockenberry, the "Dateline NBC" correspondent. John
believes those of us in wheelchairs are more creative than anyone else when it
comes to solving our own problems. "I just show up," he told me, "and then
figure out how I'm going to get where I need to go."
Winging It
The flight from Miami to London was seven hours and 49 minutes long. We were
seated near a bathroom, so when I needed to go, my wife and the flight
attendant picked me up and helped me walk. When we arrived in London Thursday
morning, a small bus met us. I'd asked that no special arrangements be made for
me, but I wondered how I was going to get up the bus's three steps.
I had underestimated Frank. Our driver had been told in advance about me and was
ready to assist. First, they stored my scooter in the luggage compartment under
the seats. Then Frank, Ute and our driver, Mike, lifted me up the steps into
the bus. It went much more smoothly than I had expected, and that became the
arrangement for the whole trip.
Our hotel was the Radisson Edwardian, located half a block from the British
Museum. Frank had picked it because of its accessibility and its location near
Soho, the theater district. I'd called the hotel in advance of our departure,
asking for a couple of things I needed — an extra mattress on one of the beds
and an extension on the toilet seat. They told me they'd take care of it, but
when we arrived they had failed to look at the record. They did move fairly
rapidly once I called from the room, however. In all other ways the room and
the bathroom were accessible, although not up to ADA standards. There were even
some hints of luxury, like a built-in pants presser!
Stepping Out to Dinner
That evening, we dined with Reverend Chuck at the Lansdowne Club, a historic
site where the Treaty of Paris ending the American Revolution was drafted. When
Chuck called to make reservations, he was told that the dining room was
wheelchair accessible.

London's new cabs accommodate wheelchair users, and drivers are trained to assist. |
We took one of London's new accessible cabs to dinner. The rear seating area of
the taxi was quite spacious. The cab driver helped me out of my scooter and
into a rear folding seat facing backward that was very close to the door. He
then put my scooter in. Ute sat in the rear seat facing me.
When we arrived at the Lansdowne Club there were two steps outside, and I could
see another flight of three steps inside followed by more stairs around the
corner. It turned out this was the only entrance. Well, everyone pitched in and
eventually got me and my scooter up the various flights of stairs to the first
level.
There, after having a drink around the fire in the Wedgewood Room, we were told
there was a lift (elevator) to the dining room on the next floor. That brought
sighs of relief from those who had been doing the heavy lifting. But after we
got off the lift, there were three more steps into the dining room. I thought
of what John had told me earlier: If I hadn't just "shown up," I'd never have
dined here and would have missed an excellent English dinner of lamb chops and
mashed potatoes.
Burning Bright
The next morning we were off to the Tate Gallery to see the Blake exhibit. I was
somewhat concerned about the accessibility of the Tate because it's a very old
building (the new Tate Museum houses the modern collections), but I needn't
have been. There's an accessible entrance on the side with a lift inside to
take you to the main floor. The entire museum is serviced by lifts.
I had studied William Blake's poetry at college, where I majored in English. It
was a long time ago, but I don't remember learning that he was also a gifted
illustrator and artist. For instance, my favorite poem of his, "The Tyger,"
takes on a whole different look when you see that it was only a part of a
brilliant color engraving using a technique that Blake invented to merge his
poetry and his art together.
Tyger, tyger, burning bright
In the forests of the night:
What immortal hand or eye,
Could frame thy fearful symmetry?
The exhibit included Blake's poetry and paintings, which were all based on
biblical themes and stories, as well as the printing press and engraver's
plates he used to get his unusual effects.
A Spot of Drama
That evening Ute and I had tickets to see Vanessa Redgrave in Anton Chekhov's
"The Cherry Orchard" at England's National Theatre. The building contains three
separate theaters, 2,500 seats in all. Our play was in the Olivier Theater,
which has an open stage with a half-circle of seats surrounding it.
We found this note in our program: "The National aims to be accessible and
welcoming to all, is committed to making your visit easy and enjoyable and has
implemented a program of Disability Awareness Training for its staff." The note
mentions performances signed for the deaf and audio-described for the blind;
the infrared audio system for the hard of hearing; and certain seats being
reserved for persons with guide dogs. I could see a good number of spaces for
wheelchairs placed strategically all over the theater in every price range.
We attended two more plays during our visit. The first, "Blood Brothers," was at
the Phoenix Theater, an older playhouse. The accessible seats consisted of a
private box in the balcony with its own bathroom, the best seats in the house!
The other show was "The Woman in Black," which has been running since 1987 at
the Fortune Theater, built right after World War I. They took us to a side door
that opened onto the balcony, but there were three good-sized steps to get to
it. It was "accessible" only with the usher's help.
A Renovated Museum and Some Shopping
Saturday we decided to visit the newly renovated British Museum in the morning
and go to the famous department store, Harrods, for lunch and some shopping.

The venerable British Museum has been renovated and is almost completely accessible. |
The British Museum was originally designed as a group of buildings around a
large, square courtyard. But just last year the museum finished building a
glass-and-steel dome over the entire space, which is approximately the size of
a British football field. Using 3,312 glass panes, each one unique, it's the
largest covered square in Europe.
The whole museum is much more accessible than it used to be. I couldn't find a
space in the entire place that I couldn't get into comfortably, including the
restaurant and bathroom. The museum is so large and has so much good stuff
that, after spending the morning in the famous Egyptian galleries, we decided
to return another day.
As we expected, Harrods' famous food court was filled with places to eat, though
the food itself was a bit disappointing. We didn't buy anything at Harrods. I
was actually shopping for a Burberry raincoat, but prices started at $600 — a
bit steep for the honor of purchasing it at Harrods.
A Day in the Country

Author Andy Vladimir and pastor Chuck Eastman visited Stonehenge on a rainy day. |
Sunday was our excursion day. We were going to Stonehenge and Bath. It was a
rainy and windy day, not really suitable for outdoors, but we weren't deterred.
The paths at Stonehenge are completely accessible, but, of course, you can't
touch or get too close to the monument of huge stones arranged some 5,000 years
ago by some ancient culture we know very little about. Our guide was certain
that the Druids didn't build Stonehenge. That theory has long been debunked,
leaving scientists with little else to offer in its place.
Bath, in southeast England a couple of hours from London, was for me a major
disappointment. Our guide had thought there'd be no access to the Roman baths,
built on the site of a natural hot spring some 2,000 years ago, but that I'd be
able to visit the museum.
When we arrived we found that both the museum and the site were down a steep set
of stairs and there was no elevator in the building. That meant I stayed while
everyone else went.
However, in the same building with the baths is the famous Pump Room, opened in
1706 and mentioned in much period literature such as the books of Jane Austen.
It was teatime so I settled down for a traditional English tea of crumpets, jam
and clotted cream.
As for the celebrated healing waters of Bath, they're sold by the glass. I
learned that because I was disabled the drinks were on the house. I had one
glass of the warm water with a slightly sulfuric taste.
What I learned from my London trip is that the London I knew is no longer
completely accessible to me since I lost the use of my legs. It was a real
hassle getting around, and, if not for the help and support of nine very good
friends, I couldn't have done it all. It was also very tiring, and I returned
home with a case of pneumonia.
Nevertheless, I enjoyed myself thoroughly.  |